How a building’s architecture affects (or ought to affect) the interior design

The inside of the house is frequently substantially different from the object’s initial architectural data. The globe has evolved gradually over many centuries: each new era brought about a new magnificent style. And as you got closer to the building, you might guess what you would see inside. Of course, there were aberrations even earlier, like in the eclectic era of the 19th century. But in our day, they have grown to an absolutely incredible magnitude in the “zero” and “tenths.” Any mansion could have any inside, so you can never be sure.

Why interior history cannot be changed

You claim that there are numerous instances where the old and the new design work nicely together. No doubt. However, the outcome is only honorable when this is the normal path of history. For instance, homeowners who bought or inherited a Provence-style ancient house put it in order, strengthened the roof, polished the floors, freshened the walls, and filled it with contemporary d├ęcor, furniture, and LED lighting. The two elements work well together since life moves on and the house evolves.

The process in reverse is not organic. The newest design frequently fails to replicate the old “family nest” if the old architecture can take on a new life. Numerous industrial structures were converted into homes; as a result, the loft style emerged as a distinct design movement. A second life has been found for countless water towers, mills, barns, and even cathedrals. But all of these structures get a new look in addition to a new life. 

Every age has unique proportions.

It goes beyond only the ideal contrast between exteriors and interiors. A large portion of it is related to space itself. Every period has its own proportions; although gothic aimed high, constructivism leans more horizontally.

Now, we’re not only discussing the house’s exterior; the house’s proportions also have their own set of standards. If we look at the Stalinist homes that are so beloved by everyone, their proportions are neoclassical in nature: shallow rooms with great insolation, high ceilings, narrow piers, and elongated doorways and windows. All of this requires a certain cadence, and the prolonged minimalism-style songs do not at all fit into this rhythm.

And vice versa, it can be challenging to utilize traditional curtains to dress up a modern home with windows that are square or horizontally oriented. Most importantly, it is not absolutely necessary. Since nature or even the city can now enter the interior and become a full participant in the drama, the major goal of such a window is to remove the partition separating the two. However, the room’s depth and the length of its walls will give designers the chance to make the most intricate and intriguing interior compositions.

Be aware of the time period and the house

Rather you don’t need to fight and imagine winning; perhaps it would be better to “listen” to housing and see its advantages. The magnificent doors from previous eras can be preserved or recreated by restoring the plaster moldings in the Stalinist home to highlight historical roots. It is sufficient to combine the history of this flat with contemporary daily rhythms and design accomplishments.

Additionally, you shouldn’t construct props in a panel home. For example, you shouldn’t affix plastic beams to low ceilings or use a fake block to represent a fictional tale. After all, you only need to sense the space, look at it lovingly, and listen to its whisper; there are no ugly rooms or impossible jobs. And things will turn out okay.